EXPLORE ALL \ ADVERTISING(AD), BRANDING(BRND), CODING(CODE), EXPERIMENTAL(EXP), PUBLICATION(PUB), TYPOGRAPHIC(TYPE), TOUCHDESIGNER(TD), UI/UX, VIDEOGRAPHY(VG), PHOTOGRAPHY(PG)
01 / POSTURE PROTRACTOR (2025) (EXP), (PUB)
Bad posture often goes unnoticed until discomfort arises. In fast-paced environments, younger generations neglect posture, hunched over screens or slumped in chairs. The Posture Protractor is a playful yet practical laser-cut tool that measures posture from a distance for real-time correction. Blending humor and functionality, it raises awareness of everyday slouching and its long-term impact. In collaboration with Syafiq Shukor, Charlene Chandra, and Rene Teh.
Video
02/ TRASH TONES (2025) (EXP), (PUB)
As designers, we often rely on default digital color palettes, shaping visual choices unconsciously. I wanted to challenge standardised defaults by extracting colors from an unconventional source: trash. Collected from Rochor, Little India, Dhoby Ghaut, and Bencoolen, trash is sorted into organic, plastic, and general waste. Digitally scanned, its colors form a unique swatch, redefining how we perceive and use color.
Project Library
03 / BOURGEOIS X MOMA PUBLICATION (2024) (PUB)
A saddle-stitch publication that delved into the complex and deep personal themes found in Louise Bourgeois’ work — Abandonment, Anger, Feminity, and Friendship. It is weaved into a tactile, interactive experience. The book features transparent overlays that reveal hidden layers of meaning beneath the surface, as well as accordion folds that expand to showcase her works.
EPUB
04 / H0 SCALE MERLION DIORAMA (2024) (EXP)
"The Big Catch" is a diorama reimagining Singapore’s Merlion as a colossal fish towering over an H0 scale fisherman. The surreal contrast challenges reality and imagination, blending Sang Nila Utama’s legend with Singapore’s fishing heritage. Subverting the Merlion’s symbolism, it sparks reflection on cultural reinterpretation.
Featured at “The Maple Exhibition”, and “Form_Flux_Futures” at the National Design Centre.
05 / 3D TYPE (2023) (TYPE)
Through my analysis of The Hive building itself, I incorporated the smooth curved surface, pointed ends, and concaved surface into my 3D type. This typographic form is made using blue foam, white paint, and putty. This project interprets and designs the glyph to mirror the visual cues from “The Hive”.
Project Board
06 / 3x3 NOISE GRID (2024) (TD)
Visualising the unseen forces of organisms around us through its environmental phenomena such as swelling heatwaves, bacterial growth, and energy flow. Using node-based visual coding, these variety of noise patterns include perlin, simplex, sparse, alligator and random, using Noise TOP in TouchDesigner.
07 / TINDER, “BY CHANCE” FEATURE (2025) (AD), (UI/UX)
"By Chance" is designed for Gen Z users seeking genuine connections beyond casual swiping. This timed Tinder feature filters your most compatible matches, offering a 3-minute real-time chat at unexpected moments. A creative strategy created in collaboration with Syafiq Shukor, Charlene Chandra, and Rene Teh, it fosters meaningful encounters, redefining online dating through spontaneity and sincere interactions. Are you ready to take the chance?
Project Deck
08 / NEBULA NEXUS (2024) (EXP), (CODE)
Sculpting the solar system’s essence in 3D. It is a visual ode to the grandeur of the solar system. It fuses computational prowess and artistic expression to breathe life into tangible forms. I imported the .stl file into the Blender app as a 3D object. To unfold the polygon, I used the add-on Export Paper Model.
p5.js Code
09 / ACADEMIA COLLATERALS (2022) (BRND)
As a Graphic Design Intern at Academia, I was tasked with several tasks ranging from assisting their company with their branding to producing graphic designs for the worksheets that are used in the curriculum.
10 / TRIP VERIFIED (2022) (UI/UX)
Trip Verified is a virtual business company majoring in Leisure Trade. Their service provides customers with a platform to plan itineraries easily. It is a full-scale website that works on all devices. With Trip Verified, users can ensure that all their important details are included in the itinerary and have a peace of mind whilst travelling.
11 / ACADEMIA’S EDUCATIONAL BOOKLETS (2022) (PUB)
As a Graphic Design Intern at Academia, I was tasked with several tasks ranging from assisting their company with their branding to producing graphic designs for the worksheets that are used in the curriculum.
12 / JI XIANG LOGO (2023) (BRND)
As a Graphic Designer at IronChef Pte. Ltd., I was responsible for designing the brand identity for Ji Xiang, a handmade vegetarian yong tau foo brand. My role involved conceptualizing and creating a distinctive logo that reflects the brand's authenticity, artisanal craftsmanship, and commitment to fresh, plant-based ingredients.
VIDEOGRAPHY
PHOTOGRAPHY